晚清社会文化语境与翻译改写——以《绣像小说》连载之翻译文学（1903-1906）为例

The Socio-Cultural Context of Late Qing Dynasty and Rewriting: A Case Study of Translated Literature Serialized in Novel with Embroidered Portrait (1903-1906)

During the Late Qing period, with the rise of the “Novel Revolution” and the advancement in printing technology, many novels were published in newspapers and magazines, gaining widespread popularity. This trend contributed to the flourishing development of literature journals. Novel with Embroidered Portrait(《绣像小说》), as the first specialized novel magazine founded domestically, not only published numerous original works but also featured a rich collection of translated literature works, holding a unique position and significance among journals in Late Qing Dynasty. These works exhibited characteristics in terms of material selection, translation strategies, and methods. Therefore, this paper will focus on the translated literature works of this journal as its research subject. Drawing on Lefevere’s rewriting theory and the socio-cultural context of Late Qing Dynasty, it will analyze the strategies, reasons, and impacts of translators’ adaptations and rewritings from the perspectives of patronage and poetics, aiming to provide references and insights for related research.

晚清时期，随着小说界革命的兴起以及印刷技术的提高，许多小说作品在报纸、杂志上刊载，受到广泛欢迎，这促进了文艺报刊的繁荣发展。《绣像小说》作为创刊于国内的第一份小说专刊，不仅出版了许多原创小说作品，而且也刊载了丰富的翻译文学作品，在晚清期刊中具有独特地位和重要意义。这些翻译文学作品在选材、翻译策略及方法上具有鲜明特点，因此，本文将以该刊物连载的翻译文学作品为研究对象，结合勒菲弗尔改写理论及晚清的社会文化语境，从赞助行为和诗学角度分析这一时期的翻译作品选材、译者翻译改写的策略与方法、原因及影响，以期为相关研究提供参考和借鉴。