元杂剧《窦娥冤》的激情符号学分析

An Analysis of the Passion Semiotics in the Yuan Drama The Injustice to Dou E

The Yuan drama The Injustice to Dou E is a representative work of the Yuan playwright Guan Hanqing. This paper analyzes the characters and narrative structure of The Injustice to Dou E by combining Greimas’ theory and the passion semiotics of Foucault’s theory. The focus will be on three aspects: the establishment of passionate subjects, the modes of existence of these subjects, and the models for displaying passion, specifically analyzing the emotional symbols of the main characters Dou E and Zhang Luer. This analysis deeply interprets the significance of the passion semiotics of the two protagonists, further enriching the content related to passion semiotics within Chinese semiotics. It aims to provide a diversified perspective for Chinese readers to interpret the text of The Injustice to Dou E and introduce China’s excellent traditional culture to the world from a semiotic perspective.

元杂剧《窦娥冤》是元代剧作家关汉卿的代表作品。本文将从《窦娥冤》的人物特性以及故事情节的脉络出发，结合格雷马斯理论和封塔尼耶理论的激情符号学部分，以对激情主体的确立、确立主体的存在模态、确立激情的展示模式三个方面为分析侧重点，具体分析主要人物窦娥和张驴儿的情感符号，深刻解读两位主人公的激情符号学意义，进一步丰富和发展中国符号学的激情符号学方面内容，为中国读者解读元杂剧《窦娥冤》文本提供符号学领域的多元化视角，向世界介绍符号学视角下的中华优秀传统文化。