从受难记忆到自然记忆：阿多诺的记忆诗学

From the Suffering Memory to Nature Memory: Adorno’s Poetics of Memory

Adorno’s Aesthetics theory embodies his theory of memory poetry. The Auschwitz event aroused Adorno's reflection on “memory”, and facing the sociohistorical phenomenon of being “forgotten”, Adorno advocated using the affinity between language and memory to transform the suffering memory into natural memory through art, thereby achieving aesthetic redemption. Adorno’s theory of memory poetry, using artistic reason to resist general reason, embodies his “star cluster” configuration in thought and shows his aesthetic utopian ideal, with huge ethical potential.

《美学理论》中体现了阿多诺的记忆诗学。奥斯维辛事件引起了阿多诺对“记忆”的思考，面对被“遗忘”的社会历史，阿多诺主张利用语言和记忆的亲和性关系，将受难记忆审美转化为自然记忆，通过艺术来实现审美救赎。阿多诺的记忆诗学用艺术理性来对抗一般理性，体现了其思想中的“星丛”构型，展现了他的审美乌托邦理想，具有巨大的伦理潜能。