女性主义视域下沂蒙民歌在“红嫂精神”传播中的价值研究

Research on the Value of Yi-meng Folk Songs in the Dissemination of the “Red Sister Spirit” from a Feminist Perspective

As an important intangible cultural heritage of Shandong region, Yi-meng folk songs carry profound historical and cultural connotations, especially playing a unique role in the dissemination of the 'Red Sister Spirit' as a red cultural symbol. This paper uses feminist theory as an analytical framework, combining field investigation and textual analysis methods to deeply examine the lyrics content, performance forms, and dissemination paths of Yi-meng folk songs, revealing how they highlight female subjectivity, dissolve traditional gender role constraints, and construct new gender discourse systems in the dissemination of the “Red Sister Spirit”. The research focuses on uncovering the hidden narrative strategies of women in Yi-meng folk songs, analyzing how they endow the “Red Sister Spirit” with richer gender equality connotations through the reproduction of oral traditions and collective memory.

沂蒙民歌作为山东地区重要的非物质文化遗产，承载着深厚的历史文化内涵，尤其在“红嫂精神”这一红色文化符号的传播中具有独特作用。本文以女性主义理论为分析框架，结合田野调查与文本分析法，深入考察沂蒙民歌的歌词内容、表演形式及传播路径，揭示其在“红嫂精神”传播中如何凸显女性主体性、消解传统性别角色桎梏，并构建新型性别话语体系。研究重点在于挖掘沂蒙民歌中隐含的女性叙事策略，分析其如何通过口头传统与集体记忆的再生产，赋予“红嫂精神”以更丰富的性别平等意涵。