唐代骠国乐文学书写研究
Research on the Writing of Tang Dynasty Biao State Music Literature
- YIXIN 출판사
- Journal of Humanities and Social Sciences
- Vol.3 No.9
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2025.1237 - 44 (8 pages)
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DOI : 10.59825/jhss.2025.3.9.37
- 22
The offering of music by the state of Biao was an important event in the history of cultural exchange between China and foreign countries during the Tang Dynasty. It not only had political and diplomatic significance, but also left a rich imprint in Tang literature, giving birth to the poetry and prose creation of literati such as Bai Juyi, Yuan Zhen, Hu Zhijun, and Tang. These literary works not only record the exotic music and dance itself, but also carry the political thinking and cultural mentality of literati in the mid Tang Dynasty. This article focuses on four existing literary works related to the music and dance of the Tang Dynasty's Biao Kingdom, exploring their political and diplomatic significance, ideological themes, and literati's aesthetic perspectives on exotic music and dance. It reveals the deep connections between Tang Dynasty literature and politics, diplomacy, and cultural exchanges between China and foreign countries, thus demonstrating the unique value of Biao Kingdom music literature in historical narrative, satirical expression, and cultural identity construction.
骠国献乐是唐代中外文化交流史上的重要事件,不仅具有政治外交的意义,更在唐代文学中留下了丰富的书写印记,催生了白居易、元稹、胡直钧、唐次等文人的诗文创作。这些文学书写在记录异域乐舞本身的同时,更承载着中唐文人的政治思考与文化心态。本文以现存与唐代骠国乐舞相关四篇文学作品为核心,从其中体现出的政治外交意义、思想主题内涵及其文人对异域乐舞的审美体验等方面进行探赜,揭示唐代文学与政治、中外文化交流等的深层关联,从而表现骠国乐文学书写在历史叙事、民生关注与文化认同的构建中独特价值。
Ⅰ. 引言
Ⅱ. 骠国献乐的历史语境
Ⅲ. 作为帝国盛景的政治符码
Ⅳ. 作为政治讽谏的异域之声
Ⅴ. 作为文化奇观的审美体验
Ⅵ. 结语
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