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학술저널

聊斋俚曲[叠断桥]音乐分析——以《学究自嘲》曲牌为例

A Structural Analysis of the Dieduanqiao Melody in Liaozhai Ballads: A Case Study of The Self-Ridicule of a Pedant

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The tune Dieduanqiao was a popular folk melody that flourished in the early Qing Dynasty and spread widely in northern China. It is a commonly used tune in Popular Music of Pu Songling. The folk song The Self-Ridicule of a Pedan is a concise and masterful piece among numerous compositions. Its melody employs two distinct versions of Dieduanqiao performed in the Zi chuan dialect, incorporating local folk life scenes. It depicts a group of elderly scholars in Zi chuan gathering together to celebrate the Lantern Festival on the fifteenth day of the lunar calendar. This paper will analyze and study the musical characteristics of the [Dieduanqiao] tune in The Self-Ridicule of a Pedant exploring the unique artistic charm of Popular Music of Pu Songling.

曲牌[叠断桥]是清朝早期兴盛的俗曲,在我国北方地区流传甚广,是聊斋俚曲中常用的曲牌。俚曲《学究自嘲》是众多曲目中较为短小精湛的作品,其曲调使用了两支风格迥异的[叠断桥],结合淄川方言演唱的形式,编入了具有当地民间生活场景,描绘了淄川当地一帮老学究们正月十五元宵节凑在一起过节的场景。本文将对《学究自嘲》中曲牌[叠断桥]的音乐特征进行分析和研究,探索聊斋俚曲独特的艺术魅力。

Ⅰ. 蒲松龄及其俚曲《学究自嘲》

Ⅱ. 曲牌[叠断桥]音乐分析

Ⅲ. 结语

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