家庭困境與身份建構：拉康精神分析視域下電影《陽光普照》人物分析

Family Dilemma and Identity Construction：Character Analysis of the Film “A SUN” from the Perspective of Lacan’s Psychoanalysis

The Taiwan film “A SUN” continues the family, father and son proposition that director Zhong Menghong has always been concerned about. The film cuts into the darkness and warmth of the family from individual trauma, and projects the dilemma of modern families under emotional estrangement, thereby realizing the possibility of dialogue with the real society sex. As a film focusing on the family field, the portrayal of the two characters of father and son in the film is full of practical significance, and the reflections on individual identity lost and subject construction hidden behind the change of characters’ relationship are particularly worthy of our attention. Based on the perspective of psychoanalysis, this paper uses Jacques Lacan’s Three ordes Theory to analyze the identity construction process and psychological transformation of father and son in the film, and explores how the film comprehensively uses audio-visual language to shape group portraits, and further refers to social reality. Expressing deep metaphors, it explains to the audience the realistic issues of contemporary society such as the dilemma of family ethics and the construction of subject identity under emotional alienation.

臺灣電影《陽光普照》延續了鐘孟宏導演一貫關注的家庭、父子命題，影片由個體創傷切入到家庭內部的陰暗與溫情，投射出情感隔閡下的現代家庭困境，由此實現與現實社會對話的可能性。作為一部集中於家庭場域的影片，片中父、子兩類人物的刻畫富有現實意義，人物關係變化背後隱藏的對個體身份迷途與主體建構的思考尤其值得我們關注。本文基於精神分析的視角，運用雅克·拉康的三界結構理論對影片中父子的身份建構歷程和心理嬗變進行分析，探究影片是如何綜合運用視聽語言來塑造人物群像，並進一步指涉社會現實，表達深層隱喻，為觀眾闡述情感疏離下的家庭倫理困境、主體身份建構等當代社會的現實議題。