This paper examined the birthplace of Pansori and the formation process of the twelve Pansori works in view of the adaptation of folk songs. Folk songs included in Pansori were created through the borrowing of southwestern Korean folk songs. Yet they were not continuously created in this manner, and after a period of time songs that had already been established as folk songs included in Pansori were adapted and used in other works. According to the results of research on the channels through which folk songs were borrowed, we can determine that Pansori originated in southwestern Korea. Also, it is inferred that the twelve works mentioned in Song Man-jae’s Gwanuhui, were comprised of works that took shape in southwestern Korea and works that were newly created in Seoul.
1. 서론
2. 판소리의 민요 차용 경로
3. 판소리의 발생 지역
4. 판소리 열두 마당의 형성 시기
5. <배비장타령>의 형성 시기
6. 결론