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KCI등재후보 학술저널

영화 속의 나타난 화면의 의미와 상징적 화면구성을 이용한 영상교육 연구

A study on the meaning and symbolic composition of the screen in the movie

In this study, in the composition of mise-en-scène, most of the composition of ordinary people's video is short-shot-oriented, and if the magnetic phase is divided into YouTube video for content delivery, and the first stage is the recording-oriented screen composition, it is a short film by a professional video production professional, Documentary screen composition Two-stage professional division, and three-stage visual aesthetic approach. It is a professional approach to screen composition such as aspect ratio, lighting length, symbolism, and artistry. I suggest that you can differentiate. There is still a gap between the content of general non-specialists due to the subtitle of knowledge and technique of video composition, interest-oriented video composition of ordinary people, and the screen composition of professional videographers, which is the third stage. It is a realistic phenomenon that the gap is significantly narrowing compared to the past. It can be seen that the video production, quantity, number of episodes, and resolution are also significantly reduced. According to the trend of the times that supply and demand are equalized through the averaging of the past resolution and distribution system, the change in the gap creates a new paradigm type, so this study constructs a new screen that can overcome the situation and the real environment. We look forward to contributing to the improvement of film composition in an easy and convenient way in the video era by presenting the strategic environment and development plan of the film industry.

Ⅰ. 서론

Ⅱ. 본론

Ⅲ. 결론

참고문헌

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