영화적 리얼리티 구현을 위한 사운드디자인 연구－영화<혜경궁 홍씨>를 중심으로－

A Study on the Sound Design for the Cinematic Reality Implementation－Focus on Feature Film <Heakyounggung Hong-Ci>－

Is the film sound dependent on the image? When you talk about movies routinely, movies are essentially based on visuals. When referring to movies or movies, it reveals the meanings of the films, suggesting that the sounds are secondary elements that understand the movie. It is needless to say that the names of the movies emphasize the image and its visual acuity. However, many theorists attribute sound to the periphery of the movie, or in a negative visual context, while Michelle suggests that the complementary correlation is a complementary component of sound and image rather than a complementary component of sound. Therefore, they actively discuss various functions, roles, and possibilities of film sound. The audience’s perception of movements in motion pictures is influenced by the sounds accompanying the movement. Therefore, it should be understood that the movie is not incidental to understanding the world in which it is supposed to be, but rather in the process of intentional and calculating creative design. Overcoming the media gap between the theater and the film is the most important part of the Feature Film <Hyegyounggung Hong-Ci>. And so much of the process was solved through sound design. Creative norms, institutions and conventions were actively utilized instead of conducting creative, creative experiments of sound design for cinematic expression. No matter how poorly the sound of sound appears, it has been actively positioned as a device for cinematic expression, audience involvement, or otherwise hesitant to reveal the intentional manifestation of sound. For example, the actual size of a short film, or the actual theater that corresponds to the movie image, is designing another sound. Thus, in the theater, the sound elements that can pass through the theatrical elements to the actors ‘behaviors are crucial factors in the film medium. In the end, the study aims to overcome the medium-technology gap in the musical genre of the movie “Hye-gyeong” and “Hye-gyeong,” meaning that the sound technique of sound techniques has had a decisive impact on the cinematic reality. This is a testament to the film’s unique complement of images, and a testament to the intrinsic importance of the film, not just the images of the film, but the image of a dramatic plot and the complete complement of the entire calendar.