카메라 앵글과 Perspective로 바라본 봉준호 영화 연구－영화 <살인의 추억>, <마더>, <설국열차>를 중심으로－

A Study of Bong Jun-Ho’s Movies from the Viewpoint of Camera Angles and Perspective－With a Focus on Memories of Murder, Mother, and Snowpiercer－

The purpose of this study is to examine Bong Jun-Ho’s three movies “Memories of Murder”, “Mother”, and “Snowpiercer” from the viewpoint of camera angles and perspective. Basically, camera angles refer to high, low, and eye-level angles. In this study, however, these will be outlined in more detail, and thus the eye line, the Rule of Thirds, and the Golden Ration will be discussed and the extreme One-Third Rule, which is additionally derived from the earlier elements, will be used as a basis. There are differences in the law of perspective between the East and West. In this study, among the Western laws of perspective, only the linear perspective, aerial perspective, overlapping planes, and reflection will be used as analysis tools. Among the movies directed by Bong Jun-Ho, the three movies, which were selected as the texts of this study, expressed different types of murder based on murder as a basic material. In these movies, director Bong Jun-Ho portrayed the murder selected as a material in different feels using camera angles and perspective. In this study, the implications of the changes in camera angle and perspective adopted by director Bong Jun-Ho will be suggested in terms of how they were used at which points of the flow to produce which expressions, and the moods created as the result of these attempts will be examined by means of the camera. This study is likely to provide film students with a guideline on the effective use of camera angles and perspective in the pre-work to convey meanings and feelings simultaneously.