동일시 이론의 관점에서 본 영화의 초점화 양상 연구

Aanalysis of Focalization at the Movies From Identification Theory

This study aims to investigate for film Choi Wee-An’s Film <Today And The Other Days> that is a very special narrative text, in which there is representing various point of views related to the narrator of the narrative texts and the point of views/ focalization which have been discussed by the number of the narrative researchers so far. In particular, the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-Louis Baudry to Laura Mulvey who are regarded the best theorists in this field. Based on these studies as methodologies, the author examines the movie <Today And The Other Days> in detail that makes this movie extraordinary is in manipulating the mechanism of narrator, amusement of point of view/ focalization, and creation and delivery of narrative information, and also in awakening that these facts are overturned and obviously shown. To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’ theory to analyze narrative structure of film. The result of analysis shows that there are three focalizers in film; director, protagonist-character and camera. And aspects of film can be varied by distance of each focalizer. These distances between focalizers limit amount of visual information.