다큐멘터리 영화 <수궁>에 나타난 감응적 공간 상화 전략 연구

A Study on the Formation Strategy of Sensitive Space in the Documentary Film <Susung>

The authentic pansori documentary "Sugung" is a place of aesthetic experimentation that explores the ethical possibilities of emotional representation beyond the preservation of traditional art or the record of female singers. This work avoids the full representation of the character, organizes the lack of visibility and narrative through the back, silence, fragmented oral statements, and subtitles on a dark screen, and delicately sensitizes the affective gap between the 'untold' and the 'untold'. This composition is read as an ethical attempt to reconstruct the function of 'evidence' in the genre of documentary and to make the subject think in the flow of becoming rather than fixing identity. In addition, the subtitles presented on the black screen act like poetic propositions and open gaps in thinking, and the narration, in which the director's low and emotional exclusion, creates new auditory sensations through a sense of distance rather than inducing the audience's emotional immersion. In this way, text and fostering, abstract and concrete, silence and resonance intersect with each other and create a unique rhythm of sensation, and the audience is converted from the 'viewer' to the 'sensitive one'. This goes beyond just an archaic attitude of recalling the past, and reminds us that the act of invoking the existence of non-existent things and memorizing them sensitively is an ethical practice that constitutes the future.