모바일 시대, 세로영화의 요구에 따른 기술적, 미학적 특징에 관한 연구–데이미언 셔젤(Damien Chazelle)의 <The Stunt Double>을 중심으로 -

A study on technical and aesthetic elements in vertical cinema in the mobile era

In 2007, Apple released the iPhone for the first time in the world. Fourteen years later, most people have smartphones in their hands. The popularization of smartphones has created a syndrome of mobile content. Also, videos have become the most familiar medium in our daily lives. Most people use their smartphones vertically. So the smartphone is long vertically. Traditionally, however, cinema have long horizontal lengths. Because of this, it is inconvenient to watch horizontal images on avertical smartphone. In 2020, Apple co-produced a short film with director Damien Chazelle in a vertical frame. The vertical film has wonderful level of completion. The film also moved away from the horizontal film and presented new technological and aesthetic possibilities for vertical films. Currently, most of the videos popularized around tictok and YouTube are made by amateurs. So the technical and aesthetic completeness of the images is very poor. Of course, such images are also needed as long as the public wants. However, on a different level, longitudinal video content with high technical and aesthetic completeness can coexist. This study aims to assess the possibility of vertical cinemas as an axis of vertical video content. As a new form of film, vertical films will provide a new distribution network for films. Existing film industry will be go on. However, the film industry will have one more new production format and distribution network required by the environment in the smartphone era. This paper will be analyzed by Damien Chazelle’s vertical film, <The Stunt Double> and the oretically summarized and presented in the age of vertical film.