<뮬란>의 영화 속에 나타난 정신분석학적 주체

A Study on The Psychoanalytic Subject in <Mulan>

Mulan is one of the most famous figures in the Northern Wei Dynasty and is also a subject that is constantly produced in works. Based on Lakan's psychoanalysis theory, this paper tried to study the psychoanalytic subject shown in <Mulan>. Since 1997, when Disney produced the animation <Mulan>, Mulan has become a world-famous character. Subsequent 2009's <Mulan> focuses not on the traditional image of Mulan, but on Mulan as a human being. In other words, it describes Mulan's inner conflict and the subject that is constantly rebuilt. Mulan is built as a warrior of the battlefield through imaginary alienation, and suffers through a symbolic reincarnation in reality. As a visionary woman who saves her country, as a symbol of hope beyond her status, symbolized as a person of traditional protection who protects filial piety and loyalty. Furthermore, Mulan was attempting to become a self-reliance by trying to overcome the reality that could not be symbolized, but that affected the subject. The study showed that Mulan as the main body in 2009's <Mulan> was being rebuilt through the interaction between consciousness and unconsciousness, revealing the diversity and complexities of the subject, showing its imaginative, symbolic, and real characteristics.