장즉지張即之서예와 추사 서예 연관성 고찰

The calligraphy of Zhang Jizhi (Chang Chi-chih) from the Song dynasty of China is, in many respects, closely related to that of Chusa Kim Jeong-hui, a great master of Korean calligraphy. Nevertheless, there has been virtually no research on this topic within the current field of Korean calligraphy studies. Therefore, this paper explores the connection between Zhang Jizhi’s calligraphy and that of Chusa. First, Zhang Jizhi’s calligraphic world is examined in three stages: Hakseo (學書, the process of learning calligraphy), Sagyungseo (寫經書, the influence of Buddhist sutra copying), and Changsin (創新, creative innovation). Then, the relationship between Zhang Jizhi’s and Chusa’s calligraphy is analyzed from several perspectives: qi-yun sheng-dong (氣韻生動, vitality and rhythmic spirit), originality, the influence of epigraphy and Han clerical script, the acceptance and transformation of Yan Zhenqing(顏真卿)’s calligraphic style, and the impact of Buddhism. This study may further develop into quantitative research by applying AI and machine learning techniques to analyze the structural composition and pressure patterns of brushstrokes in each style.